Chris Glein Game Design and Life

Guitar Hero III: Legends of Rock

Played on Xbox360

It’s hard to talk about Guitar Hero III without also blabbing about Rock Band, but I’ll do my best to fight the temptation. We’ll save that comparison for when I do a proper Rock Band review. But it’s totally fair to start talking about Guitar Hero III by looking back at what I had to say about /2007/05/16/guitar-hero-ii-xbox-360.html.

As soon as Guitar Hero II landed on the Xbox I was ready for a truckload downloadable content… which never really came. There were 7 track packs released, 4 of which were recycled from Guitar Hero I, and 2 were indie collections that I frankly don’t have the patience for (at least not at that price). So effectively there was only 1 interesting track pack… yeah. It’s too early to really say whether Guitar Hero III is going to follow that pattern. There have been 2 real track packs so far, which look decent but I haven’t bothered to pick them up. Guitar Hero certainly isn’t competing well against Rock Band when it comes to either pricing or selection. Instead of focusing much energy on downloadable content they’re going to focus on yearly title releases. You’re effectively getting one huge infrequent bundle of tracks, which is cheaper in bulk and comes paired with a software update. It’s not that bad as long as the selection agrees with you and that gameplay gets refined. So, yeah, how’s that gameplay doing?

My main problems with Guitar Hero II were around unlocking stuff for multiplayer and the awkwardness of coop account management. Guitar Hero III has added a coop career that removes the need to play singleplayer in order to unlock tracks. Unfortunately that’s the only improvement here. You’re still totally boned if you hit a brick wall and need to dial down the difficulty (you’ll have to start your campaign over from scratch). And the whole coop career falls apart when multiple Xbox Live accounts are involved. Only one player gets credit for advancing through the career and there’s no way to play the career online. There’s only enough coop in Guitar Hero III to put a bullet on the back of the box - it’s in no way a complete experience.

The other main gameplay addition is the battle mode. A few times in your solo career you go head to head against some guitar legend. The two of you alternate playing ridiculous riffs and try to send bad voodoo at each other at the most inopportune moments. It’s generally a refreshing change of place due the objective switch and the nice intricate guitar solos. Your final battle is with the devil himself, who in no way was paying attention to the linear difficulty curve. I breezed through most of the solo career on Hard but failed countless times against the devil. I’m all for a good challenge, but don’t be a tease and hold it all off until the end. That’s just frustrating.

In multiplayer the battle mode doesn’t fare nearly as well. Far too many matches end after the first attack or so. The only way to keep it from being arbitrary is to have both players play on a difficulty far below their comfort level, because lefty flip and double notes on expert is pretty much an immediate game over even if you have your act together.

The achievements in Guitar Hero III are a complete step backwards. I realize I’m an achievement whore, but I seriously deserve more than 15 goddamn points for beating the whole game on Hard. Assuming you pick up a 250 streak and a 250k score, you’re looking at a grand total of 35 points. To put it into comparison, Guitar Hero II doles out approximately 150 points for the same accomplishment. Never mind the fact that both games have the brain-dead notion that beating the game on one difficulty doesn’t warrant the achievements for the easier difficulty levels. They actually expect you to play through the game on Easy even if you beat it on Expert (which is fun… how?). Okay, so they’re not handing out points for beating the game, what are they giving them out for? There are some ridiculous achievements for multiplayer (consecutive wins, are you kidding me?), and a whole bunch for coop which has the aforementioned problem of requiring that you do the whole thing twice if you’re dealing with multiple Xbox Live accounts. The real value of achievement points is presenting the player with an interesting challenge that enhances and lengthens their enjoyment of the game. Guitar Hero III just throws a whole bunch of hoops your way, none of which are any fun.

I’ve been really hard on Guitar Hero III. I fundamentally enjoy the game, but not because they did anything to enhance the experience. I just plain enjoy pretending to be a rock star. The most important thing, the track selection, is pretty good (even if it does break into inane metal bullshit at the end). And the new guitar is nice, although I saved the money and only picked up the disc. I don’t completely regret buying the game, because I know it’ll get used at parties. But now that I have Rock Band I’m really thinking that Guitar Hero III would have been better off as a rental.

Zune

In general I make a point to not comment on my work. It gets enough of a percentage of my mindshare as is, and I have to try hard to force it to idle. But it’s also unfair to let key events go by unmentioned, especially when they directly contributed to the quiet months of the summertime and autumn for this blog.

For the last year I’ve been working on the Zune client team. Almost a month ago we released what we’ve been working on to the public. And I’m damned proud of what we accomplished. It was a herculean effort, but we stuck to our guns and created something I think is both beautiful and functional. Thankfully it seems like the press agrees (my favorite quote: “the software, full of links to artist bios, band photos, and complete discographies with album art, is quite attractive and makes iTunes seem like a big, boring spreadsheet”).

The Zune release may be old news for a lot of you, so under the pretense of bringing new information the table… you should really check out Zune Originals if you haven’t already. They very recently opened up customization of the very popular Zune 80. If you are looking to get a Zune, having it etched is the way to do it. And if that news is old to you (jeez, it’s only been a week), well then there’s a new Zune Arts video up.

The Zune is a great product, and it’s got a solid team with a great vision behind it. It’s only going to get better from here…

Planet Terror

Apparently I’ve got zombies on the brain, so I might as well get this out of my system while I’m at it.

I recently rented Planet Terror from the video store. It’s one of the movies from that Grindhouse double feature. You know, the crazy preview with the girl with a gun for a leg? That movie that nobody saw? Yeah, that one.

I’m totally behind the concept. A return to B movies with cheesy one-liners, comical gore, and general overall badness? Sign me up.

There’s one catch. You’ve gotta embrace it. If you’re going to be shallow and unintentionally funny (or intentionally unintentional), do it all the way. And make it short. Because the novelty of a movie’s B-ness is seldom maintainable for a standard feature length.

But unfortunately Planet Terror is dark and brooding in a way that undermines the awesome ridiculous moments. It’s stuck in serious mode for so long that you forget that the movie is supposed to be a caricature, and then when the absurd moments come you’re not in the right context to really appreciate them as funny. Editing the movie tighter probably could have alleviated its identity crisis a bit, but I really think the problem came from an unbalanced vision. It stinks of a director taking their craft too serious, even when they’re trying to poke fun at it.

I can’t help comparing the movie to Shaun of the Dead, which successfully lampooned the zombie genre. To achieve its resolution Shaun drifted into being a real zombie movie by the end, and as a result stopped being funny. But at least it didn’t jerk you around back and forth - the comedic pace was steady in the face of zombie realism until the climax.

There are some good moments in Planet Terror. When the movie finally gets around to giving the heroine a gun for a leg, there are some awesome over the top moments. And there’s this great part where they cut out some key plot development due to a “missing reel.” It’s just a shame they didn’t do that to more of the movie…