A Touch of Evil: First Impressions

I picked up a copy of A Touch Of Evil at PAX last weekend, and what follows are my impressions from the first couple sessions. This is by no means a proper review, since I haven’t played enough to really make any firm judgment (hell, I haven’t even moved beyond the basic rules set yet). Nor is it really a good session report. But I figure there are people out there who’d be interested in what I have to say given that the game isn’t set to officially hit stores for a couple weeks.

A Touch of Evil is a board game that can be best be described as a playable version of Sleepy Hollow. It takes place in the town of Shadowbrook, which has recently be hit by a series of murders. Each player adopts the role of an investigator who is trying to uncover the villain and defeat them in an epic showdown. The elders of the town might be able to help the heroes or they might actually be in league with the villain; it’s up to the players to investigate the town before making their move so that they don’t hit any nasty surprises. The players are trying to stop the villain before the whole town gets murdered off, but of course they’re also racing each other to see who can beat the villain first and take all the credit.

For my first game I played solitaire to get acquainted with the game flow (using two hero characters with the cooperative rules set). My primary goal here was to make sure that someone knew the rules well enough so that the big game night later in the week would go smoothly. Playing solo with two characters allowed the game to move rather quickly, with the game ending in about an hour including time spent re-reading rules for clarification. The expanded Mystery Phase events added to the cooperative game helped accelerate progress by moving the shadow track often and creating investigation (the game’s currency) on the board to jump start the economy. I was able to outfit my characters pretty well and win a showdown with the vampire villain no problem. All told it was an enjoyable singleplayer experience, although next time I would incorporate all the advanced rules to increase the difficulty.

With my trial run out of the way it was time for game night. Seven people showed up to play, with me being the only one familiar with the rules. Thankfully the game is pretty intuitive so everyone picked it up quickly. Unfortunately seven players make for a long turn sequence, and the game ended up taking around three hours. At some point we informally switched from a competitive game to a cooperative game for the final showdown in order to just end the damned thing. Despite the length, most people enjoyed the game and are eager to play again (although likely with fewer people and/or faster moving rules).

The villain we matched up against was the Spectral Horseman, and his rampage ride ability was a big hit. Every now and again someone would linger too long at a location and all of the sudden the entire board exploded with fights against the horseman. Unfortunately we had bad luck with Mystery cards and the rider got significantly buffed early on. It’s odd to be wishing for murder to strike the town, but the trick is that murder cards both move the game closer to darkness as well as create opportunities. Some cards just straight up buff the villain, and we got a lot of those in the beginning. Because of this the shadow track didn’t move very far until late in, so nobody was rushing to get a Lair card and attempt a showdown. But halfway into the game the town elders started dropping like flies, there were autopsies left and right, and all of the sudden the economy was in full swing.

One thing that definitely contributed to the slow down (in addition to the sheer amount of people) was the Fog card that subtracts from player movement. On paper it didn’t seem like a big hindrance but it often pushed location runs just out of reach, subtly slowing down everyone’s ability to explore. Given the choice between getting halfway to a destination and staying in town to draw another event card most people chose getting a card. All I know is that next time we play I’m buying a horse on my first turn and not looking back.

In spite of the length pretty much everyone still had a good time. But I think I owe them apology. I quote from page 3 the rulebook:

Whoops. Oh well. It was still a fun game and it’s easy to see how different each session can be. I’m certainly looking forward to the next one.

Big Love

So there’s this HBO series called Big Love, which I am currently working my way through on Netflix. I’m two discs in, and I am totally hooked.

Big Love is about polygamy, and it’s absolutely fascinating. Mind you, the series isn’t supportive of the concept. In fact the whole mechanics play out into one big train wreck. But it provides you a portal into a world that is both familiar and also completely different, which in my opinion is what good storytelling is all about.

The show centers around this polygamist family with one husband and three wives. They are all one big family, but each wife’s time with the husband is rigorously scheduled in equal increments so that no one feels slighted. Each wife even has her own house. There’s this odd balance between keeping everything together and yet carefully segregated. The dynamic between the three wives is really interesting, with huge heaps of jealousy but also some sisterhood.

Outside of the home the family leads a very different life, as that they have to keep their polygamist lifestyle secret, for fear that it tarnish the husband’s reputation and thus his business. The family is thus very aware of the critical eye the rest of society places upon them. The only people who do approve are their extended family in the polygamist cult they grew up with, and they’re all bat-shit crazy. The whole result is a very isolated family that has to lean on each other pretty heavily. Or at least they would if they didn’t have so many issues.

In general the characters come off as genuine. Even though this is a very odd, obviously unhealthy situation, you can relate to them as people. The one exception is the second wife, Nicki. Her self destructive tendencies and malicious manipulation pretty much makes her the biggest villain of the show. But at least it’s fun to hate her, and eagerly anticipate her inevitable spectacular breakdown. It’s coming, I know it. Until then I eagerly check the mailbox waiting for the next disc to arrive.

Braid

Played on Xbox360

I’d heard good things about Braid, so I snatched the demo up as soon as it became available last Wednesday. I was immediately surprised by the visual presentation. In static screenshots you don’t really see the constant motion going on in the background that gives the game a surrealistic painted quality. It’s subtle but really beautiful. But the first level included in the trial didn’t knock my socks off from a gameplay perspective. So far the game had only shown me relatively straightforward platforming, and if I hadn’t hear so much praise for Braid I probably would have left it at that. Thankfully I trusted in the good things I’d heard about the game and slapped down $15 for the full version so I could see more.

I’m glad I did, because Braid is the most mind bending experience I’ve had since Portal. And if you’ve played Portal you know how strong of a statement that is.

In each world of Braid time behaves differently. There’s this one world where your character’s position in physical space maps to everyone else’s passage through time. If you move to the right, time move forwards for them; if you move to the left, time rewinds. This in itself is enough to make your head explode, but then on top of that different objects exist in different timelines, some which you can rewind and some you can’t. Later in the game you split out your shadow out to walk in a parallel timeline, where you work together with it to gather keys and hit switches. And then later you gain the ability to manually place a time distortion bubble. It’s nuts.

The puzzles in this game require you to think about time and space in ways that you never have before. The solutions are generally never very difficult to execute and are made easier by the fact that you can rewind your timeline. It’s kind of like Prince of Persia: Sands of Time, except you can rewind as much as you want, as long as you want, and at whatever speed you want. So the difficulty isn’t in the execution, it’s in getting your mind to wrap around concepts it has never confronted before. Which is the best kind of puzzle game.

But Braid doesn’t try to be just a puzzle game. It actually has a story. It’s true that after having gathered all the puzzle pieces and completed the story I can’t quite admit to having the closure that my Closure achievement tells me I have, but I do appreciate that someone really tried to turn this puzzle game into something more. The music, the visuals, and the story all work together to create a truly unique experience. Yes, it’s $5 more than Geometry Wars, and I probably will play Geometry Wars for longer. But Braid is one of those singular experiences where video games cross into the territory of art and leaves you with something truly memorable.